A♭ (or G#): Ab+, A♭7#5, A♭9#5 It is not the most widely used scale in everyday popular music but you can get some nice chords and riffs from the scale. ~ quote by Kernix. Q: So, do you play whole tone scales over the ?5, and altered scales over the dominant chords. 2) For the #2 7♭5 shape, you can bar the root & ♭7 with the 1st finger as a different fingering. The altered scale. Domination. Thus many composers have used one of the "almost whole-tone" hexachords, whose "individual structural differences can be seen to result only from a difference … And like the augmented chords, every other note builds the same chords (I’m skipping the maj ♭5): D:D7♭5, D9b5, D9♭5♭13 C9#5 = B♭9♭5. Let’s look at the augmented chords first since they are most often associated with the whole tone scale. And from Vol II: Jim Crow Blues page 21, I’m Certainly Living A Ragtime Life page 37, Bill Bailey page 73. Below is a table of all the C chords that can be built from the C whole tone scale. It’s direct application would be on augmented chords, That is, any chord with a raised fifth degree. I have 13 total closed 7♭5 voicings and 7 open E 7♭5 chords built from this scale. 7#5 = augmented 7th = 1–3–#5–♭7 Beach Boys: I Just Wasn’t Made For These Times, Orange Crate Art (also has a 9#5 chord) #6 7♭5 is kind of a repeat of #4, and for #8 it’s tricky making sure th open G string doesn’t ring out. C Whole Tone Scale Chord Diagram - What are Chords 4. The note F in C major has a perfect 5th C and a diminished 5th B (usually notated as #11). Play the whole tone scale over this progression, and then try to improvise over it. You can also build the 7#5 chord on the tonic of the altered scale and the 5th degree of the melodic minor scale. There are some scales like the Altered scale where you have an option of a major or minor 3rd and diminished or augmented 5th. C7♭5 = G♭7♭5. Bb (or A#): Bb7♭5, Bb9♭5, B♭9♭5♭13. The Scale and/or Chord can be inserted over or in place of a V7 chord. That article also includes the 70+ chord types I have voicings for and part of the reason I named my site Every Guitar Chord! They are all All PayPal contributions are greatly appreciated! and server bills A good substitute for a dominant 7th chord is a 7♭5 a ♭5 away, so try a G♭7♭5 in place of a C7 chord. Besides a #5, a whole tone scale also uses a … Most people think of using the whole tone scale for augmented chords, but you can build 7♭5 chords from the whole tone scale as well. Most jazz guys know you can build a 7♭5 & 9♭5 chord from the WT scale. For this reason, the whole-tone scale is also maximally even and may be considered a generated collection. Take a listen to the video below, at 4:54 Freddie begins his solo by creatively using the altered scale: Whole Tone Scale This scale works of Dominant 7#5 chords or can be used to create tension in other environments too - it's a fun one to explore and has angular geometric patterns on the neck which can make for fun trippy exploration! Unless you really want to get weird and just want to add some really bizarre stuff to impress your friends that are into Jazz, Fussion and contemporary classic music. Occasionally, you’ll see an augmented triad (1, 3, #5). Here, Guitar 16 7#11 & 7b5b9 Guitar Chord Shapes (G & Db), 8 Open D♭7♭5#9 & 3 Closed 7♭5#9 Guitar Chord Voicings, What Is A Guitar Ghost Note? I suggest that the major ♭5 chord is the base of 7♭5 chords. The 9♭5 chord equals a 9#5 on the 9, e.g. Read my article Chords From Scales for a list of all the 7#5 and 7♭5 chords. I like #3 9♭5, the 9♭5♭13 and E9♭5♭13, but I don’t like any of the other shapes. The most “unique” notes in the scale are the lowered and raised 5ths (♭5, #5) similar to a 7alt chord but with a 9 as opposed to altered 9ths (b9, #9) that is common with altered 7ths. E: E+, E7#5, E9#5 A: Much of what goes into deciding what scale to use over any given chord is all about the context (what chords are surrounding it, how is it functioning harmonically, etc.) Big list of common triads and four note chords of the scale C Whole Tone #'S Here are some song examples that use an augmented 7th chord (7#5 chord & one 9#5): Sting: Mad About You Both augmented and major flat 5 chords (dominant 7 flat 5 chord or just 7♭5) can be built from the notes of the whole tone scale. position. #6) Try it over a V7 to IV7 change in a blues tune, and combine it with the Dorian mode & the blues scale. So you can build a Fmaj♭5 and Fmaj7♭5 chord. T = Tone [whole step] • S = Semitone [half step] • TS = Tone + Semitone (minor 3rd interval) COMPARISON WITH MAJOR SCALE. Either play a 7♭5 or an add#11 chord. Find guitar scales using graphic interface. Try arpeggiating an augmented triad on the last V7 chord in a blues turnaround. The scale formula is W-W-W-W-W where “W” stands for whole tone. For example: Chord Prog. #7) Play “boxes” or 1-octave shapes for short runs, but use 2-octave shapes for longer sections. 3) #2 of the 9♭5 is pretty difficult to hold so #1, #3 and #4 are better options. Stevie Wonder: If You Really Love Me, My Cherie Amour, Send One Your Love scales Some theorists have classified them as WTO (whole tone O) and WT1 (whole tone 1). tones, note names, and finger The whole tone scale is the only scale that will yield a dominant 9th chord with and raised 5th as in C9#5. Notice how the Whole Tone scale helps us to link all these ideas together in a way that sounds logical. #1) The scale adds tension but has no resolution. A Whole-Tone Scale is a scale made entirely of whole-steps and has only six notes. I do not have any chord voicings for the maj ♭5 chord because I don’t see the need for it (I don’t see it as a valid chord). That is the chord name used in a Pink Floyd song (see below). So, the whole tone scale can be played over a dominant 7 th or 9 th chord with a sharp five and sharp eleven. As a result of the 6 major 2nd intervals in the scale, there are only 2 whole tone scales: C & C#\D♭. Now I’ve never seen the 9♭5♭13 chord mentioned anywhere, though I’m willing to bet piano players stack the whole tone scale to play all 6 notes (1-3-♭5-♭7-9-♭13). Beach Boys: 7♭5 in When I Grow Up, 9♭5 in Orange Crate Art. You can also build a 7♭5 chord on the tonic of the altered scale and the 4th degree of the melodic minor scale. Due to this symmetry, the hexachord consisting of the whole-tone scale is not distinct under inversion or more than one transposition. All open chords for every chord type in every key. Grateful Dead: Till the Morning Comes The 7♭5 chord contains 2 tritones and it can resolve to 2 different keys: C7♭5 \ G♭7♭5 resolves to both F and B. #2) Because of the root, 3rd & ♭7 of EVERy chord built from the scale, you can add tension using the scale over dominant 7th chords – 7, 9 & 7#11 chords would be best. That is why I’ll be using the notes C, D, E, G♭, G# & B♭ when covering the C whole tone scale. In this article, I go over the C whole tone scale, the chords that can be built from the notes and practical application of the scale when playing leads. (Guitar Technique). music for positions, a handy visual chord formula table, and the tones fretboard You'll find more than 800 chord voicings You will discover that there are only two whole tone fingering patterns to learn. Check it out: Share with your I chose E for the augmented 7ths and 7♭5’s as a substitute for E7 chords for songs in the key of A major or A minor. If you continue to use this site we will assume that you accept the use of cookies. I like every 7#5 shapes except #6. On this page, you find several fretboard diagrams for the Whole-Tone scale, with box and 3 notes per string patterns. A C# augmented chord, C# – F – A, would take the C# whole tone scale. “It’s your mind, it’s your creativity, it’s your guitar, and most importantly, it’s your music – do what you want to do (just make sure it sounds good)”. Or sometimes just sharpening the 5th tone of the chord in place of the dominant 7 chord, we the raised 5th tone gives the piece of music an ethereal sound. C whole tone scale = C-D-E-F#-G#-A#. To me its a interesting scale that should be used sparingly for variety in your playing. Remember that every other note of the scale builds the same chords. they are playing. I like all 3 E7#5 shapes, but none of the 9#5 shapes. This is a very particular scale, find more about it with reading the whole-tone scale tutorial. The add#11 is a nice dissonant chord. Start Beatles: From Me To You Here are the augmented chords that can be built on the note C from a C whole tone scale: D: D+, D7#5, D9#5 No one knows what to call that second “chord” type, but I like maj ♭5. There are really only two whole tone scales. in notation, with scale degrees: The notes that give this scale its unique sound are b9, #9, b5 and 13. There is a much easier way to form this scale. We can also use it, sort of, over a minor chord, but when we do we have to play it a semitone lower. Or you could say the 9#5 equals a 9♭5 on the ♭7. As a result of the 6 major 2nd intervals in the scale, there are only 2 whole tone scales: C & C#\D♭. The harmonic spelling of the notes is not important. For some nice licks, check out the Jamie Holroyd Guitar website article on the whole tone scale. guitar, How to play guitar C9♭5 = D9#5. Chords created by this scale (C whole tone): C7#5, C7b5, C9, C9#5, C9b5, C7#5(#11). As I’ve mentioned in other articles, boxes, are just easy to grab & play groupings of notes. There are 6 notes in the whole tone scale and each is separated by a whole tone, hence the name. music for One of the reasons why the whole tone scale is not really fancied by instructors and performers alike is because it is symmetrical and symmetrical ideas in tonal music can exist in more than one key at once. Donations will allow me to pay my bills and provide you with great content. If you need help in reading the diagrams on … B♭ (or A#): B♭+, B♭7#5, B♭9#5. Sting: 7♭5 in Seven Days Moreover, it contains every Dominant 7 th chord with Augmented or diminished 5 th , that is, the 7( 5) and 7( 5) chords, which are formed by considering any note of the scale as the root. The Whole-Tone Scale scale is composed of the Root, Major Second, Major Third, Augmented Fourth, Augmented Fifth, and Minor Seventh, The C Whole-Tone Scale scale is composed of the notes C, D, E, F#, G#, and Bb. Gb (or F#): Gb7♭5, Gb9♭5, G♭9♭5♭13 9#5 = augmented 9th = 1–3–#5–♭7–9. Due to the coronavirus, I have lost 80% or more of my income. A Whole Tone scale has no consonant chords, but it contains every Augmented chord formed by considering any note of the scale as the root. maps of 44 different chord types. This scale is a combination of a diminished scale and a whole-tone scale. If you don’t like the sound of the chords, don’t use them. The book is packed-full with color-coded diagrams that show chord That’s some weird stuff. The aug triad and 7#5 chords are mostly used in place of the V chord. To learn more about scales, check our complete guide on How to play guitar For example, use the scale over C7, D7, E7, F#7, A♭7, and B♭7 chords, or 7♭5, 9♭5, 7#5 & 9#5 chords in those same keys. #8) I haven’t tried it, but the advanced use of the scale is to use it over minor chords a semitone below the chord. There are 2 semitones and 5 whole steps. qualities of chords. Ab (or G#): Ab7♭5, Ab9♭5, A♭9♭5♭13 As we’ve seen, the half steps are the semitones and the whole steps are the whole tones. You can also look at the scale as two augmented triads separated by a whole tone. Silverman’s Folk Song Encyclopedia: Jeanie with the Light Brown Hair page 129 Vol I. In that article, I include songs that use the aug triad. The fact that the chords and the scale don’t have any sense of resolution makes it difficult to listen to for long periods of time, like for a whole song. Scales are usually compared to the Major Scale to find the intervals used, but because the Whole Tone Scale has 6 notes (Major Scale has only 7) it makes better sense to just look at it intervallically. 5) I also included the only E♭9♭5♭13 chord which is from the D♭ WT scale. The open E and E♭ 9♭5♭13 chords are the ONLY open chord shapes possible. The scale is defined with the intervals of 1-2-3-#4-#5-♭7, but I prefer 1-2-3-♭5-#5-♭7. So a C9♭5♭13 chord (all the notes in a C WT scale) resolves to D♭, E♭, F, G, A, & B (all the notes in a D♭ WT scale!). This stands for whole step, whole step, half step, whole step, whole step, whole step half step. But give the scale a try for some unique riffs. scales, Chords 1) I marked the 1 and the ♭5 of the 7♭5 chords as root notes since they both are\can be the root of the chord. Before print or download please save it first. You only need to look at one note because every other note builds the same chords. For example, the C whole tone scale has the notes that are in the C and D augmented triads. Apps, How to read You can build an augmented triad, an augmented 7th chord, and an augmented 9th chord from the scale. Major chords – do use use whole tone? The Whole-Tone Scale scale is composed of the Root, Major Second, Major Third, Augmented Fourth, Augmented Fifth, and Minor Seventh. For example, a C augmented chord, C – E – G#, would take the C whole tone scale. There are 2 base chords: the augmented triad and the chord that has a major 3rd and diminished fifth. I mentioned that there were two applications of the Whole Tone scale, and we've really only looked at one, its use over a dominant chord. Minor scales – do use use dorian? Whole Tone Scales overview C: C, D, E, F#, G#, Bb, C C#/Db: C#, D#, F, G, A, B, C# D: D, E, F#, G#, A#, C, D D#/Eb: D#, F, G, A, B, C#, D# E: E, F#, G#, A#, C, D, E F: F, G, A, B, C#, Eb, F F#/Gb: F#, G#, A#, C, D, E, F# G: G, A, B, C#, D#, F, G G#/Ab: G#, A#, C, D, E, F#, G# A: A, B, C#, D#, F, G, A A#/Bb: A#, C, D, E, F#, G#, A# If we assign a scale degree to each note in the whole tone scale, we get 1, 9 (2), 3, #11 (#4), #5, and b7. But if you need to play a maj ♭5  chord, just find a major triad shape and lower the perfect fifth by a half-step. If you made any changes to your settings. The scales commonly used today consist of the seven modes of the diatonic scale, the seven modes of the melodic minor scale, the diminished scales, the whole-tone scale, and pentatonic and bebop scales. G♭ (or F#): G♭+, G♭7#5, G♭9#5 Scale - Whole Tone 1,2,3,#4,#5,b7 FULL-th pattern Root note - A Guitar Tuning: Standard - E-A-D-G-B-E Last but not least there is the 9♭5♭13 chord which is an interesting chord that I came up with by adding every note of the whole tone scale. #4) You can use the scale over dominant 7ths and the 7alt chords mentioned above starting on any scale degree assuming there is not a ♭9 or #9 in the chord. The pattern for a whole-tone scale is easy to remember because it consists only of whole-steps (W): You’ll also see aug7, +7 and 7(#5) for the augmented 7th chord. incredibly helpful The mysterious, aimless, and rootless sound of this scale can make it difficult to know exactly when to use it. Try sliding a  7♭5 chord up or down 6 frets and it’s the same chord with the same notes just with a different note in the bass. So, you would play the G H/W diminished scale when the chart explicitly says G7b9, G7#9, G13b9 etc, OR if you just want to imply that kind of sound on any G7 chord. tutorial. . We use cookies to ensure that we give you the best experience on our website. Since it has every note in the whole tone scale, there can only be 2 of them: C & D♭. 7♭5 chords are unique because their 2nd inversion equals another 7♭5 chord built on the ♭5, e.g. Every note in the whole tone scale can act as the tonic of the scale. And since 9♭5♭13 chords are made up of 3 tritones, they resolve beautifully to 6 different keys by a half-step above each chord tone (or below each chord tone). Domination, you'll find the fretboard tones maps for 44 different They are shapes where the root is not in the bass, so they can be either chord. 5 and 6 Note Chords: C9b5 C9#5 D9b5 D9#5 E9b5 E9#5 F#9b5 F#9#5 G#9b5 G#9#5 A#9b5 A#9#5 C9#5\E Scales Equivalent to C whole tone : D whole tone ; E whole tone ; F#/Gb whole tone ; G#/Ab whole tone ; A#/Bb whole tone ; I include one other ♭5 chord, from the scale: the 9♭5♭13. Note that the 9#5 chord is equal to the 9♭5hord on the ♭7, e.g. All 3 augmented chords normally resolve to a perfect fifth (P5) below – so acting like a V chord. Let me go over the obligatory points of the scale that you will see in every other article: That should do it for the basic definition of the scale, but let’s look at some practical points. Now that you have learned four fingerings for the whole tone scale, and four different scale patterns to work with those fingerings, let’s move on to studying this scale in a musical situation by working out the three jazz guitar licks below.The first lick uses the G whole tone scale to solo over a G7#5 chord, the most direct application of this scale in a soloing situation. The Whole Tone Scale consists of note a whole step apart. C Whole Tone Scale Chord Diagram The Whole Tone scale is an unusual “beast” and contains 6 Dominant 7th harmonies as you can see in my example of the C Whole Tone Scale Chord Diagram. E: E7♭5, E9b5, E9♭5♭13 that will help you learn how to move freely on the neck and play any chord you want in any following the Justin Guitar Honor-System: if you can afford it, please consider supporting FaChords Guitar by buying the ebooks: This ebook is for those players who want a deeper understanding of the chords Dominant 9th chords with raised 5ths are really weird but believe it or not, I have run across them in charts before. because allow you to: In the new ebook, Chords The harmony of the whole tone scale is rarely explored like traditional scales and modes. 4) The closed 9♭5♭13 closed chord is difficult to hold but it sounds amazing! As a result of those chords equalling each other, there are 2 repeated shapes for 9♭5 guitar chord shapes that are shown above for the 9#5 shapes. or a jazz minor? Check out my article on Augmented scale guitar chords for closed and open Augmented triad shapes. Dm7. 5 and 6 Note Chords: C#9b5 C#9#5 D#9b5 D#9#5 F9b5 F9#5 G9b5 G9#5 A9b5 A9#5 B9b5 B9#5. Notice the first half of the scale is diminished and the second half is whole-tone. Since 2013, FaChords Guitar has grown a lot (12.000 subscribers and counting!) Use 7#5 and 7♭5 chords when you want a different sound than your standard dominant 7th chords. fellow guitar players! The notes of the first one, WT0 is C – D – E – F# – G# – A#, while the notes of the other scale are Db – Eb – F – G – A – B. Whole-tone scale, in music, a scalar arrangement of pitches, each separated from the next by a whole-tone step (or whole step), in contradistinction to the chromatic scale (consisting entirely of half steps, also called semitones) and the various diatonic scales, such as the major and minor scales (which are different arrangements of whole and half steps). Scales Equivalent to G whole tone : C#/Db whole tone; D#/Eb whole tone; F whole tone; A whole tone; B whole tone; Scales wich notes are within G whole tone: ; Scales where G whole tone is within them: ; For example, try an Eaug as x-7-6-5-5-x and let it ring out for the remainder of the measure. There are no half steps like in the major scale, so you get the “outside” sound of the scale when played over a chord progression. #5) Use the D♭ whole tone scale for the other 6 keys for dominant and altered 7th chords. Or try an arpeggio of an E7#5 chord sliding from the ♭7 to the root at the end of the riff. I assume the maj ♭5 chord is similar given the option of the IV in a major key. #3) The scale is ideal over +, 7#5, 9#5, 7♭5 and 9♭5 chords. These maps show you the tones in a chord all along the fretboard. Big list of common triads and four note chords of the scale B Whole Tone #'S I like to notate them as: + or aug = augmented triad = 1–3–#5 Tones and Semitones in a Minor Scale The 9♭5 can also be built on the 4th degree of the melodic minor scale. Whole tone scale = W-W-W-W-W-W (2-2-2-2-2-2) Whole-Half Diminished = W-H-W-H-W-H-W-H (2-1-2-1-2-1-2-1) Half-Whole Diminished = H-W-H-W-H-W-H-W (1-2-1-2-1-2-1-2) VERTICAL APPROACH. The whole tone scale is very easy to play , but it’s not always an easy scale to place in your music. along the fretboard Every note in the whole tone scale can act as the tonic of the scale. I also list examples of songs that use chords from the whole tone scale and I include augmented 7th and 7♭5 guitar chord shapes, both closed and open chords in the key of E. The whole tone scale is a unique and difficult scale for beginner guitar players. Notes: The whole tone scale is a symmetrical scale which means the intervals that make up the scale have a pattern that repeats. Here's the Secret: Whenever there are Augmented Chords put in the music arrangement, we can readily play part of the whole tone scale into the chord. If you ask most educators or look in a number of jazz theory books, they will tell you to play an “altered scale” over this chord. The scale is spelled out: 1/2 whole 1/2 whole whole whole whole (steps). My favorite closed 9#5 chords are #1 & #3. If you need help in reading the diagrams on this page, check the How to read

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